Not only does he perform live vocals for the awesome Mount Kimbie but he's released four of his own EPs and I guess they were all from this year. So he's a bit of a busy bastard, but one who posesses such a talent to produce such infectious tunes that when appropriately applied would have your entire body reverberating.
"Boom-boom-dance-dance" isn't what these songs are. Especially on the new Klavierwerke EP, which features a more stripped down sound. Oftentimes delayed piano playing a large part, whereas the sub-bass and rythmics only build up later on.
OH and his cover of Feist's Limit To Your Love is quite possibly THE best cover song I've heard in ages/ever. Holy moly, hold on to your hats people!
i think his eps are good but limit to your love is just exceptional, especially the bass. so much better than the original!
ReplyDeleteI know EXACTLY what you mean! I hear Feist's making a comeback though, so maybe she's realised the importance of face-melting bass.
ReplyDeleteSpeaking of faces, cool blog name you've got there. There must be some insane birds-meet-face-meets-porridge story behind that?
i'm not really a fan of hers anyway but cranking up the bass certainly wouldn't hurt!
ReplyDeletehahah nothing so interesting i'm afraid, just a slightly modified quote from invisible monsters by chuck palahniuk :--D i used to be a big fan of his a couple of years go and it just stuck with me. in hindsight it's not really the most suitable buuut bahf works well enough